Okay, that’s not what we talked about. I’ve copied this from Helen Fielding’s Bridget Jones–The Edge of Reason. You might remember that wonderful Bridget Jones has a crush on the real-life British actor Colin Firth. And, in the second book, she even gets to interview him for an English magazine. As she is so in love with him, she interviews him in her typical Bridget Jones-like manner and behaves like a complete idiot. Through these two books Helen Fielding has made
Colin Firth into a prototype of the unreachable idol. He actually
became an
object of desire in England after playing Mr Darcy in the 1995 TV
adaptation of
Jane Austen’s Pride and Prejudice.
(This is what Bridget and her friends watch
nonstop.) He seems to be a man for whom you might lose
your senses. Who makes you do lots of stupid things with just one deep
glance
out of his dark eyes. Well, we’ll see. The interview takes place in the exquisite
Dorchester Hotel opposite London’s Hyde Park. After yesterday’s nonstop
rain,
the sun is shining today. Colin Firth, 43 years old, is sitting on a
small
couch. His right hand is lying on his chin while he’s talking and
covers his
mouth. He signals distance throughout. Restraint. He doesn’t open up
easily for
sure. He isn’t impolite though. One could easily feel, when we shake
hands
goodbye, the better part of his afternoon is to come. Okay, but he does look good. Very good. Dark
curly hair, dark eyes, wine-coloured velvet jacket. If Bridget could
see him
like this... But it’s not about her, it’s about Colin and
his new movie Girl With A Pearl
Earring, starting September 23rd. It’s an
adaptation of Tracy Chevalier’s book that tells the imagined story
behind Jan Vermeer’s
painting. Firth plays the Dutch painter, Scarlett Johansson (Lost in
Translation) stars as the maid who poses for this painting.
There is a
magnetic attraction between the two, which the film portrays in a
wonderful
soft way that is hardly ever seen nowadays in movies. Every shot of this movie is set up to look like
a Vermeer painting. Girl With A
Pearl Earring received a well-deserved Oscar
nomination for best cinematography. The award ultimately went to Master and Commander. Colin Firth said he has seen about fifteen of
Vermeer’s paintings thus far. That’s quite a few, considering that only
36
exist throughout the world. One of them “The Geographer” can be seen in
Frankfurt. “We shot in Luxemburg, not far away from Frankfurt, and I
always
asked myself ‘Should I take a free day to drive there and see it?’”
When they
finished filming, Colin Firth still hadn’t made it to Frankfurt. But he is quite interested in paintings. He is
from an academic family; his father is a history professor, his mother
in
religious studies. Colin, his brother and his sister grew up without
TV;
reading and discussions were encouraged at home. Naturally they went to
museums
together, and if Colin Firth is in a new place “I am likely to visit a
museum.” Especially in Italy. He lives there part time
with his wife (in Bridget,
she is still his girlfriend) Livia Guiggioli, a
documentary filmmaker, with whom he has two children. He also has a
13-year-old
son with his former wife [sic]
Meg Tilly. “In Italy, I’ve
seen great art,” he says very
nonchalantly of course and without much enthusiasm. “But I don’t
approach it
scientifically. It either works or it doesn’t. If I “click” with an
artist, I
can’t get enough.” This happened with Caravaggio, whose work he
discovered in the
Church of San Luigi dei Francesi in Rome. “Next to the door is the painting ‘The Calling
of St. Matthew.’ Jesus looks pretty young and very, very Italian. I
love the
drama in this painting!” And suddenly his practiced distance is gone.
Colin
Firth grows animated, describing who sits where in this painting and
how the
light falls onto it. His eyes shine and we are somewhere inside this
painting,
sitting at the same table with the men and “Jesus
points to one of them, most interpreters say it’s
Matthew. But
there’s one really young guy sitting to the right of Matthew, who has
lowered
his head. You can feel how this guy thinks: don’t take me! And I think
Jesus
means him. That is far more interesting.” Colin Firth has
thawed, suddenly and absolutely
surprisingly. He’s another person. Suddenly he’s enjoying the
interview. And
now it’s definitely time for melting knees. This man is amazing! If I
now turn
into a complete idiot and start doing all sorts of things, tormenting
him with
what I learned in art history class, this would be the perfect moment. Concentrate. Quick. A movie question about
costume dramas. He has done quite a lot of them: Valmont, The English
Patient, Shakespeare in Love or The Importance of Being Earnest.
His
newest one: Girl With A Pearl
Earring. Are they his preference or is this just
what he gets offered? “What does it mean, costume film? he asks back.
“You always wear costumes in every movie. Movies set in the present are
as
artificial as movies set in the past. I find it more peculiar to wear
modern
strange shoes and modern strange jeans than a shirt from the 17th
century. A costume is a costume.” In his last movie seen in German cinemas, he
didn’t wear clothes from the 17th century. It was the
surprise hit Love Actually by
Richard Curtis, which was set around Christmas, and Colin Firth and the
Portuguese actress Lúcia Moniz have probably the loveliest
dialogue in all of last
year’s movies. He doesn’t understand Portuguese; she doesn’t speak
English. He
drives her home after work, then looks at her and says in English,
“Driving you
home is my favourite part of the day.” She doesn’t understand a word,
looks at
him, and replies in Portuguese: “Leaving you is the saddest moment of
my day”.
Sigh. In Love
Actually Colin Firth plays a writer.
In real life he wrote a short story, “Speaking With the Angel,” for an
anthology
published by Nick Hornby in 2000 to benefit a charity. Does he like
writing?
“Definitely!” Does he write? “Yes (hesitating). As a hobby. I’m not
disciplined
enough.” One can sense he doesn’t like talking about this, but he does
it
anyway: “It’s always easy doing something different. I therefore just
write down
fragments.” He talks theoretically about writing and then
admits that he already written “several short stories. But these are
just for
me. I put them in a drawer and there they stay. Sometimes I show them
to
friends who do similar things.” Aha, will we eventually have the pleasure of
reading more of his stories? “I don’t know. Honestly.” His story for Nick Hornby’s book was done as a
favour for a friend. They’ve known each other since Colin Firth played
the main
character in the film based on Hornby’s book Fever Pitch. “We are not best
friends,” he says nonchalantly, “but we have many things in common.
We’re both
from English suburbs, have travelled a lot, and like many of the same
books and
music.” Returning to Bridget Jones, Colin’s part in Fever Pitch is the reason for her
interviewing him. He remembers, “First
friends told me that I was in the ‘Bridget Jones’ [columns]. I then
read them
and later met Helen Fielding. Of course I’m proud of being seen as a
pop-cultural reference!” It was highly ironic to have the book’s Firth
playing Bridget’s love interest Mark Darcy in the movie adaptation of
“Bridget
Jones’s Diary.” The sequel will be filmed this winter. Colin
Firth’s in it again, creating lots of problems, like: How are they
going to film the
interview mentioned earlier? Colin can’t play both, as he already plays
the
part of Darcy. Three years ago Colin joked that they will have to ask
Russell
Crowe to play me.” Now there are rumours that George Clooney might play
this
part. Colin Firth sees the funny side of this
problem. “Clooney might have been an option, but he isn’t doing it. I
think
they might drop it altogether.” What he can
promise is that the idiotic
reindeer sweater he wore when he first met Bridget will be back. “They
didn’t
let me keep it,” he says ruefully, “but there was a second one, which
was
slightly less obnoxious, that is mine now.” “Funny,” he thinks, “that I
will be
remembered because of this sweater. It is humbling.” He sounds both amused by this thought and a
little astonished. He sounded like this quite often during the
interview,
especially whenever we were talking about him. One had the feeling he’d
love to
say, ‘I just do my job. What exactly do you want from me?’ He won’t die
of
self-importance. That’s for sure. I haven’t got anything to add to this. Hmmmmmmmmmmmm. |
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