Books That
Made a
Difference to
Colin Firth
The eternally watchable costar of Bridget
Jones: The Edge of Reason goes for
psychological intrigue, moral mud
puddles, and lyrical truth-telling.
|

|
When I’m really
into a novel, I’m seeing the world differently during that time—not
just for the hour or so in the day when I get to read. I’m actually
walking around in a bit of a haze, spellbound by the book and looking
at everything through a different prism.
I’m paraphrasing terribly from a theory I came across years ago, but
there was this idea that everyone leads a kind of secret life. All of
these things are going on around us that we don’t process consciously
but that stay with us. There’s a school of thought that inanimate
objects can make you feel certain things and you don’t know why. You
pick up a green mug and you drink coffee out of it and you’re not
thinking about anything except whether the coffee is good or bad. About
an hour later, you feel depressed and you don’t know why. Perhaps the
mug is exactly the same color as your grandmother’s. You’re aware of
the emotions but you didn’t know your subconscious went through a whole
thing—remembered something, relived something, and fed it back to you.
So a book can pull out responses that would be dormant otherwise. I
find that a very valuable thing to have as a possibility. I’m not
simply responding to the author’s vision. The joy I take from a book is
mine. It comes from me.
Colin Firth next appears in Nanny
McPhee, which opens in March.
|

|
The Notebooks of
Malte Laurids Brigge by Rainer Marie Rilke
This is not really a
novel at all; it’s sort of a montage based roughly on the experiences
of the author as a young man. Certain individual passages are
riveting—like his description of Beethoven: “A man whose hearing a god
had closed up, so that there might be no sounds but his own.” What a
fascinating way to look at the contradiction of a musician who is deaf
but hears extraordinary things in his head. Rilke also writes of an
illness during which certain absurd fears strike him—that a piece if
thread might be as sharp as a steel needle, or that he might start
screaming. I don’t think I’ve ever read such descriptions of what it
would be like to lose your grip. He has a vision that makes you less
sure of your surroundings—and I find that stimulating.
amazon.com
or amazon.co.uk
|
|
|

|
The Power and the
Glory by Graham Greene
This is about a man—the
whiskey priest—on the run in a Mexican state during a purge of
religious figures. The most poignant thing in the story, for me, is
that the priest has had a child. He wants to repent, but how can you
find salvation when you can’t hate the sin? He’s stuck in that
paradox:The one thing that prevents him from repenting is love. That so
interests me—the idea of looking for spiritual salvation in what is
otherwise an impossibly compromised life.
amazon.com or amazon.co.uk
|
|
|

|
The Leopard by Guiseppe de Lampedusa
I wouldn’t give a damn
about the world of this book were it not for the fact that Lampadusa
draws you into it in such an intoxicating fashion. The descriptions of
19th-century Sicily were written with such melancholy, honesty, and
lack of sentimentality that I found myself thinking this era was the
most important thing. What blew me away, though, were the passages
about death. Extraordinary.
The
prince, whose family is part of the dying aristocracy, says sleep is
what the Sicilians want. They don't want anything forward looking. All
their magnificent history and the things they worship—their cathedrals and castles and
heritage—are things Sicilians love only because they’re dead. It’s a
romance with sleep and death—a desire for what he calls voluptuous
immobility.
amazon.com
or amazon.co.uk
|
|
|

|
Preston Falls by David Gates
Doug Willis is a man
who’s holed up in his country place after his wife and kids go back to
town. His marriage is in a bad state, and he’s obviously in some of
kind
of midlife crisis. I’m so intrigued by how Gates describes the fantasy
world of men, and how many of them want to be the kind of guy who can
talk about engines, who knows Keith Richards guitar chords—as if that’s
going to matter in your 40s. I can see why women might only be able to
read this as a science experiment, a sort of “Look what happens to men
when you pull their wings off!” But there’s a very tender note struck
in the last scene. The couple has decided to split up, and Willis walks
out late at night. Gates has taken you to a point where you think their
relationship is irredeemable, but he shows there’s that thing you can’t
put in the equation: The wife still goes after him. I found that quite
moving—that in the end love feels like that, like familiarity.
amazon.com
or amazon.co.uk
|
|
|

|
Saint Maybe by Anne Tyler
How do you evaluate a
deed that has brought catastrophe? Tyler writes about Ian Bedloe, who
thinks he’s doing his brother a favor by telling him that his wife is
unfaithful, and the brother subsequently drives a car into a wall and
dies. Ian is 17 and said something stupid and, as it turns out,
incorrect. I’m not a great believer in sitting cross-legged on a
mountaintop throughout your life as a spiritual quest. What I find
interesting is how an enormous spiritual journey unfolds in the
banality of life. When Ian asks a minister how he can redeem himself,
the minister replies, “You can raise the kids.” It means throwing away
college, throwing away his girlfriend, throwing away everything in
order to be a father to these kids. At no point is it ever considered a
noble thing, but he takes it on. He lives for something other than
himself.
amazon.com
or amazon.co.uk
|
|
|

|
Light in August by William Faulkner
It’s not the sheer art
of Faulkner’s literary experimentation that I admire. I’m haunted by
the heat he describes, by the smells, which are almost always
revolting. I know that’s a strange reason to be attracted to an
author, but I love it when writing is as potent as it is here. This
novel is about sexual revulsion, racial revulsion,
self-revulsion. It’s such uncomfortable reading for modern
audiences. The problem with racial identity is overwhelming to the main
character, Joe Christmas. As a child, he heard nothing but whispering
about his mixed blood, and he learns to despise that part of
himself. This is a world where every piece of decency is
marginalized and suffocated. It’s funny, you know: This is my favorite
of these books and the one I find the most difficult to talk about.
amazon.com
or amazon.co.uk
|
|
|

|
The Corrections
by Jonathan Franzen
Franzen captures how
trivializing a family battle can be and how it can seem to be a fight
for survival when, in fact, you’re simply scoring points. Chip
represents so much of what I’m familiar with: highly intelligent,
educated people who become fractured and cast adrift. You can
liberate yourself from the rules, decide you don’t want to be on the
treadmill, you’re not going to be Joe Schmo—but once you’ve cut loose
from all that, you can be quite lost. Franzen shows how often love
between these people is impossible; how hard love is, how it isn’t
cozy; how problems aren’t something you can break down by everybody
hugging one another and forgiving and making it okay. It just blows up
in all their faces.
amazon.com
or amazon.co.uk
|
|